Johno Mellish constructs his photographic mise-en-scènes by combining history, memory and imagination.
Sourcing imagery from both traditional media channels and vernacular photographs, he composes fictional narratives which mirror our post-truth, fragmented, and data-driven society.
He completed a Post Graduate Diploma in Photography at the Michaelis School of Fine Art in 2017, after completing a B.A at AFDA Film School.
Represented in collections both locally and abroad, he was selected as a focus artist during AKAA 2019 in Paris, where academic Ashraf Jamal described his work, “Mellish is a visual DJ, a master of the remix. If his images seem novel and ‘unexpected’ it is also because, in his world, everything is up for grabs, everything can be reassigned a ‘new’ or different meaning. This process is not only a matter of shifting perspective, it is also the result of the deterritorialisation (Deleuze and Guattari) and defamiliarisation (Brecht) of the images. In Mellish’s photographs nothing possesses its essence, everything – the images content and reason for being – is, in effect, anti-and-post-essential.”
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